The Earth Dies Screaming 126 Galway, Dec 2021

In ‘The Earth Dies Screaming’, Austin Ivers thinks about representation of the Nuclear Age, the anthropocene, humanity’s attempt to survive itself, Cold War fetish and filmic representation of the post-apocalypse using new and appropriated video works, sounds, things on walls and floors, photos, boxes, prints, etc…

Originally commissioned and curated by Kaitlynn Webster in 2020, ‘The Earth dies Screaming’ endured a complex planning process during the 2nd Covid lockdown and was finally exhibited in December 2021. Using video appropriated from found sources (US Army and US/UK Civil Defence) as well as a new video piece (filmed at Abbeyshrule Aerodrome), Austin reflects the critical concerns of the Nuclear Age with an analog aesthetic. Creating a cacophonous space, the audience is encouraged to submit to the confusion of surround and monophonic noise, images of nuclear technologies and resistance to them, systems of command control along with magic and unreason, maps of the future that never happened. Within these, there are details: human, pastoral, joyous and cruel which an audience might anchor to.

 Digital Prints

 Videos

 

Arpanet

Tracing the development of the Advanced Research Projects Agency Network, the precursor to the internet from 1969 to 1980. This was presented without a soundtrack, in vignette form.

 

The Earth Dies Screaming

The main video from the exhibition. Filmed in Abbeyshrule Aerodrome with Luke Reidy and Ivan Marcos. Stereo soundtrack by the artist.

 

Aldermaston

 

Flash (edit)

 

Protect & Survive (edit)

 

Ships (edit)

 

Duck (edit)

 

Shelters

 

Farming (edit)

 
 

Walkthrough of exhibition

 
 

closing ad for exhibition

 

Opening ad for exhibition

There is also a ‘zine by curator Kaitlynn Webster consisting of photos taken on disposable film cameras by attendees at the opening along with overheard quotes at the same opening and snippets of conversation between Kaitlynn and Austin.